
Cenk Tezil: Harmony in Motion
Precision and Sonic Manipulation
Gilbert MANSOUR on Percussions
Gilbert Mansour’s work on the riq in “Sparkling Psycho” adds a distinctive layer of rhythmic intrigue, further enhancing the track’s intricate sonic landscape. The riq, a Middle Eastern frame drum, is an instrument known for its ability to produce both sharp, percussive rhythms and shimmering, cymbal-like textures. Mansour’s command of the instrument goes beyond mere rhythm; it becomes a tool for sonic manipulation, weaving in and out of tonal textures with meticulous precision.
A defining feature of Mansour’s performance is his alternation between the open and closed positions on the riq—commonly referred to as “bone.” When he plays in the open position, the instrument’s jingle-like cymbals ring out, adding an ethereal, shimmering texture that complements the other instruments without overwhelming them. These shimmering sounds provide a subtle sparkle, like a wash of light across the jam’s shifting landscape. But when Mansour switches to the closed position, the tonal palette shifts dramatically. The “bone” technique, where his fingers mute the cymbals, allows for a punchier, more focused tone, emphasizing the midrange frequencies. This technique is key in preventing clashes with the cymbals of the drum kit, offering a cleaner, more cohesive sound while maintaining a crisp rhythmic drive.
Mansour’s polyrhythmic phrasing elevates his performance to another level, pushing the boundaries of the track’s exploratory vibe. By layering complex rhythmic ideas across the texture of the jam, he creates an unpredictable yet deeply grounded rhythm that feels simultaneously spontaneous and controlled. His intricate, shifting patterns reinforce the fluidity of the jam while ensuring that the groove remains firmly in place. This ability to manipulate rhythmic layers in real-time adds a level of unpredictability to the jam, maintaining a sense of forward motion while keeping listeners on their toes.
Through his precise tonal manipulation and polyrhythmic phrasing, Mansour’s riq playing becomes an integral element in the track’s texture. His performance not only serves as a rhythmic anchor but also contributes to the sonic experimentation that defines “Sparkling Psycho”. With each stroke and subtle shift in tone, Mansour helps craft a space where precision and improvisation coexist, allowing the jam to breathe and evolve with every passing moment.
